Jason: What
are you putting 8 Mile theater count at right now?
Jeremy: The
estimate screen count is 2500.
Lee: Around 2850,
possibly Fast and the Furious.
Jason: 2500
would seem too low. That's what Hollywood Reporter says.
Jeremy: Yeah
2500 seems very low for the incoming hype on this film.
Lee: I would
think highest they'd go would be 3400 range, lowest 2650 or something.
Jason: It
might be a good idea to keep it somewhat modest, as that seems to be working
for a lot of releases.
Lee: It would
build the per-screen average.
Jeremy: I see no
chance in 8 Mile opening up with more than 3200 theaters.
Jason: It
would blow its chances of having a good 2nd week.
Jeremy: They are
going to rely on excellent word of mouth for this film, and so far all the
reviews are saying that it delivers.
Lee: The only
thing noticeable I see that would keep 8 Mile from pulling a Furious opening
night is the R-rating, but I'm not even sure if that'll restrict much.
Jason: Yeah, but
like you said before, Scary Movie is the number one R-rated movie. And that had
to rely on under 18.
Lee: I heard a
rumor that some theater owners around LA are getting nervous about the movie
possibly pulling in gangs - increasing security.
Jason: The
movie is also being advertised for free with the constant radio play Eminem
gets.
Jeremy: That seems a
little extreme, wouldn't you think?
Jason: Not
really. For some theaters I bet they could use it. Especially if it's on 2500
theaters and they're all sold out.
Lee: The
soundtrack's been selling off the hook, supposedly.
Jeremy: Why,
were there security guards for films like Boyz in the Hood? I think not.
Jason: That had
a much smaller release.
Lee: That was
only in around low 1000s I think.
Jason: So
assuming a Fast and the Furious release, $40 mil on 2500 theaters.
Jeremy: That
means there will just be a more diverse audience watching the film.
Jason:
That's $16,000 per theater.
Jeremy: That
doesn't seem feasible. I would say $12,000 is probably going to be the peak per
screen average
Jason: Why would
it be peak?
Lee: I think
the gross/per-screen average largely depends on how wide it goes. If it's in
around 2700/2800 (which is my prediction), I wouldn't be overly surprised if it
pulled low $5000's opening night.
Jeremy: That's
comparing 8 Mile to similar films of content and appeal.
Lee: But Friday
could possibly be frontloaded. Though, I don't know if it'll be exactly like
Jackass in drop-offs, day-to-day wise. If it's less than 3000 theaters, a
$14,500 or so average would sound pretty good.
Jeremy: I think
Friday will definitely be front-loaded - all the Eminem fans will definitely
flock to movie on Friday.
Jason: So you
think $15 mil would be feasible for Friday?
Lee: I have a
gut feeling of $14.5/15 Fri
Jeremy: Yeah, I
think it is probable.
Jason: Do
you think people are underestimating it right now then? HSX has a sub $25
million weekend.
Lee: I talked
to someone earlier today who doesn't think it will do $30.
Jeremy: I would
say $14 million with a slight increase for Saturday. Friday After Next
doesn't seem to get enough attention yet for a film coming out in three weeks.
Lee: When I've
seen the Friday trailer with audiences, they seem to be more blown away by the
ending gag than the entire film's looks in general. I have a feeling Bond will
win many of the points.
Jeremy: Not as much
as Barbershop did, but three weeks allows for plenty of time to build up
awareness. Yeah, I have heard about the excellent Friday trailer.
Jason: What
happens? I haven't seen it.
Jeremy: Bond is
going to be huge. I am thinking $50 million (opening).
Lee: That's
actually my exact forecast.
Jason: Yeah, I
was going to say, I think $50 is high at this point.
Jeremy: Yeah,
the casting of Halle Barry was brilliant.
Jason: I
just watched Swordfish and I just hope she will be better.
Jeremy: Going to
add some big numbers to the opening weekend and the trailers are absolutely
spectacular. She probably won't be, but she adds a whole new dimension to the
film.
Lee: Personally,
I'm not sure how much good she'll do in ticket sale wise. They used the
marketing trick of her breasts for Swordfish, but for here in Bond I don't think
its audience cares as much, especially with a PG-13 (compared to Swordfish's R).
Jeremy: Usually the
Bond women are pretty obscure actress's.
Jason: Not
really.
Lee: She adds a
presence, but I don't think it'll be as dearly strong as the marketing effort on
Swordfish worked.
Jeremy: Oh, have
you seen the trailers - Barry's body is quite central to the selling point. They
take advantage of it for sure.
Lee: Yeah, I
think it's the second teaser that immediately loads to her.
Jeremy: Yes, the
full trailer.
Lee: In the
ocean...
Jeremy: Yup, that's
right.
Lee: Yeah, I've
heard plenty of chuckles when I've seen the trailer in theaters at that point.
Jeremy: That
trailer is very enticing from the action standpoint as well.
Jason: Even
with that though, the action scenes look amazing. It looks like xXx but with
some discretion.
Jeremy: Exactly,
the action scenes look very stylized and inspired.
Lee: MGM looks
like it's giving Bond the largest campaign the franchise has ever been given. At
least between the quantity of trailer ads and the material shown.
Jason: Bond
is a big sell out. Also, I think I've seen twenty Circuit City ads for the
movie.
Lee: I think
it had spots in front of Goldmember too. At least I did.
Jason: They have
a Shaver deal.
Jeremy: Just saw the
Half Past Dead trailer, you know the terrible Steven Seagal film?
Jason: Yeah, it
looks awful. Why won't he give up?
Jeremy: All the
emphasizes were on the rappers in it and the action.
Lee: I
witnessed a pretty funny crowd reaction to that trailer. The audience I had at
Punch-Drunk Love actually applauded when it concluded, but it was very evident
that it was in total criticism; they were just having fun. Also, you know it's
bad when half the cast doesn't even have real names.
Jeremy: Really
pathetic. It still could pull in $5 - 7 million.
Jason:
Counter-programming for Potter.
Lee: I
actually heard in one scenario that the trailer withdrew enthusiastic claps.
Hope that doesn't convert to sales.
Jason: Looks
like Deuces Wild/Spider-Man set up.
Jeremy: That's the
problem, somehow Seagal films pull in meager sums that make up for the cost.
Lee: It
doesn't have the Exit Wounds feel to it and it doesn't have Joel Silver
producing, like Exit Wounds. But it is PG-13.
Jeremy: Not at
all, but the advertising is trying to make it that way. There is even Ja
Rule in the trailer.
Lee: With 8
Mile this Friday, I'm not sure of the chances of many of its audience members
returning just a week later for Half Past Dead.
8 Mile B.O.
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